Four cups in an arched window with two naked figures embracing below. A real scene, with people, on a minor card. This is the thing Pamela Colman Smith would later do for all fifty-six of them.
Four cups in an arched window with two naked figures embracing below. A real scene, with people, on a minor card. This is the thing Pamela Colman Smith would later do for all fifty-six of them.